The television series Dexter is characterized by unfolding a discourse which, though belonging to a specific genre the psychokiller, is noticeably different in the ways in which the world and the conduct of the serial killers are represented. This article attempts to analyze the motives why the subject spectator empathizes and sympathizes with this peculiar serial killer, building a bridge between fictional reality, and present social reality portrayed by lack of safety, uncertainty and the upheaval of the values built by the modernist society on the idea of justice.
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