Jeffrey P.
Freundlich, a.k.a. Jeff Lindsay is an American playwright and novelist who
started writing science fiction[i]
and then switched off to the police genre beginning a saga which already
includes five books which are the ones that have given him world fame, and
captivated Showtime Television Network, a paid television cable which is well
known for emphasizing the aesthetic quality of its television products, and its
critical and innovative focus in the production of television series[ii]
One of the
novelties of this transposition in genres is that the condition that the
executive producers imposed upon themselves in agreement with Lindsay, who
participates as adviser, consisted in avoiding at all costs that the series
should be a mere transcript of the novels by recognizing the enormous
differences which exist between the literary language and the language of
television scripts, so that the series should not become the novel adapted to
the television screen[iii].
It is written in an original script which, in any case, recreates not only the
character, but also his diegetic world, exclusively maintaining a central
concept: Dexter Morgan (Michael Hall) is a serial killer whose victims are
other serial killers[iv]
This
conceptual definition does not mean that Dexter’s victims are only other
killers like himself, but rather that this is the main dramatic axis that
provides order for the story of reason and which itself already constitutes a
novelty never shown before in the cinema or television screens. But, besides,
it also pursues another profile: that of murderers who in one way or another
have managed to escape the action of justice. In this case, the series takes up
again conceptual elements of a minor genre that was widely acclaimed in the
decades of the 70s and the 80s in the U.S., that of the man who “takes justice
in his own hands”, which we all remember paradigmatically played by Charles
Bronson (Death Wish, 1974). But the great difference between
Dexter Morgan and Paul Kersey consists in that the latter is an ordinary
citizen who decides to avenge his wife’s murder in a diegetic world which
easily attempts to reflect the debates current at that time in the city of New
York on the lack of safety, the role or position of judges and police
corruption.
This is
not the place either to analyze Lindsay’s novels, or the way in which
transposition in genres was made, although it is worthwhile mentioning some
substantial differences. In the novels, the protagonist is much more sombre
than in the series; in the former he is shown as someone with a split
personality, and (not a minor detail) his sister knows his secret and covers up
for him.
In the
series the character Dexter has his only psychotic trait the ability to see and
interact with his death father, who behaves as a sort of guardian of his moral
code -we shall return to this subject later-; on the other hand he has an inner
conflict which becomes more intense as the seasons go by: he wants to be normal
and stop feeling the compulsion to kill and tries hard to experience feelings.
His sister not only does no know his secret but she is not even aware of the
truth; and although it is true that some characters discover who Dexter is,
they all end up dead, even if it is not Dexter who kills them[v].
Finally in the novel the secondary plots and parallel plots are much more
elaborately developed while drawing away notoriously from what happens to them
in the series.
[i]The best-known is Time Blender (1997) written with Michael
Dorn, the actor who played the role of Worf in Star Trek the Next Generation
(1987-1994).
[ii] Darkly Dreaming Dexter, Random House, 2004;
Dearly Devoted Dexter, Random House, 2005; Dexter in the Dark,
Random House, 2007; Dexter by Design,
Random House, 2009; Dexter is Delicious, Random House,
2010.
[iii] Dexter is produced by Showtime in association with CBS. Its Pilot episode was broadcast on the 1st.
October 2006 and to this date it has been on the air for five seasons each
composed of 12 episodes. The series was created by James Manos Jr. co-producer and
script writer of the first season of The
Sopranos (1999-2007) and co-producer of The
Shield (2002-2008); Produced and written by Daniel Cerone, Sara Collecton,
Charles H. Egllee, John Goldwing, Michael C. Hall, Chip Johannessen, and Many
Coto, Executive Producer and Script of Star Trek Enterprise (2001-2005) and 24 (2001-2010).
[iv] A different case
is that of Sylar (Zachary Quinto) in the fantastic series Heroes, because the people he kills are identical to him only in
their condition of mutants.
[v] With the only
exception of Lumen Pierce (Julia Stiles), in the Season five.

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